My guest on The British Food History Podcast today is food historian and friend of the show Sam Bilton, podcaster and author of Much Ado About Cooking Delicious Shakespearean Feasts for Every Occasion, published by Headline and commissioned by Shakespeare’s Globe.
It was, of course, a great opportunity to talk about the food of Shakespearean England as well as the food and drink references in Shakespeare’s plays, and what they meant to those watching the plays at the time they were first performed.
A small selection of the wonderful photography from Sam’s book
We talked about lots of cookery manuscripts, the importance of keeping historical recipes relevant, capons, Early Modern bread and greedy Falstaff’s sack, amongst many other things.
The British Food History Podcast is available on all apps, or stream it here:
Those listening to the secret podcast can hear about horrible, sweet spinach tarts, Early Modern cakes, possets and more!
Remember: Fruit Pig are sponsoring the 9th season of the podcast. Visit their website www.fruitpig.co.uk to learn more about them, their journey, to find your local stockist and access their online shop.
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or leave a comment below.
My guest on The British Food History Podcast today is food historian Carwyn Graves, a specialist in the foodways and traditions of Wales, and we are talking about Welsh Sheep and Cattle – and their products.
Carwyn has written a wonderful book called Welsh Food Stories, published in 2022 by Calon, which explores more than two thousand years of history to discover the rich but forgotten heritage of Welsh foods – from oysters to cider, salted butter to salt-marsh lamb. Despite centuries of industry, ancient traditions have survived in pockets across the country among farmers, bakers, fisherfolk, brewers and growers who are taking Welsh food back to its roots, and trailblazing truly sustainable foods as they do so.
We talk about the importance of sheep and cattle in Wales’s physical and cultural landscape, salt marsh lamb, cawl, colostrum puddings, the Welsh and their love of roasted cheese and sheep fancying Cistercian monks – amongst many other things.
Listen via your favourite podcast app, or stream here via this embed:
My guest on The British Food History Podcast today food historian and friend of the show Sam Bilton, podcaster and author of Much Ado About Cooking Delicious Shakespearean Feasts for Every Occasion, published by Headline and commissioned by Shakespeare’s Globe. It was, of course, a great opportunity to talk about the food of Shakespearean England as well as the food and drink references in Shakespeare’s plays, and what they meant to those watching the plays at the time they were first performed.We talked about lots of cookery manuscripts, the importance of keeping historical recipes relevant, capons, Early Modern bread and greedy Falstaff’s sack, amongst many other things.Those listening to the secret podcast can hear about horrible, sweet spinach tarts, Early Modern cakes, possets and more!Much Ado About Cooking by Sam BiltonSam’s websiteFollow Sam on BlueSky, Insta and Threads @mrssbiltonComfortably HungryAis for Apple: An Encyclopaedia of Food & DrinkRemember: Fruit Pig are sponsoring the 9th season of the podcast. Visit their website http://www.fruitpig.co.uk to learn more about them, their journey, to find your local stockist and access their online shop.If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.This episode was mixed and engineered by Thomas Ntinas of the Delicious Legacy podcast.Things mentioned in today’s episodeThe Globe TheatreWho is Falstaff?Books discussed or mentioned and further readingFirst Catch Your Gingerbread by Sam BiltonKnead to Know: A History of Baking by Neil ButteryA Dark History of Sugar by Neil ButteryEnglish Bread & Yeast Cookery by Elizabeth DavidThe Good Housewife’s Jewel by Thomas Dawson<a…
Those listening to the secret podcast can hear 15 minutes of extra material including flummery, mutton, laverbread sauce, the traditional skills in the collective cultural memory of the Welsh, the etymology of rarebit/rabbit plus more!
Remember: Fruit Pig are sponsoring the 9th season of the podcast, and Grant and Matthew are very kindly giving listeners to the podcast a unique special offer 10% off your order until the end of October 2025 – use the offer code Foodhis in the checkout at their online shop, www.fruitpig.co.uk.
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or on twitter and BlueSky @neilbuttery, or Instagram and Threads dr_neil_buttery. My DMs are open.
My guest on The British Food History Podcast today is historian Mark Truesdale, scholar of the fifteenth-century King and Commoner tradition and its early modern afterlife and author of The King and Commoner Tradition: Carnivalesque Politics in Medieval and Early Modern Literature, published by Routledge.
We talk about medieval carnival, the plot of a king and commoner tale, spying foresters, rude monks, the love of eating tiny birds, who the audience might be, and the ridiculousness of baking a venison pasty in Sherwood Forest – amongst many other things.
The British Food History Podcast is available on all podcast apps, YouTube, and can be streamed here via this Spotify embed:
A selection of illustrations from manuscripts of various king & commoner tales
Those listening to the secret podcast can hear about Henry VIII’s love of Robin Hood tales, cowardly herons, and Mark tells me who the king in these tales may (or may not) be referring to.
Remember: Fruit Pig are sponsoring the 9th season of the podcast, and Grant and Matthew are very kindly giving listeners to the podcast a unique special offer 10% off your order until the end of October 2025 – use the offer code Foodhis in the checkout at their online shop, www.fruitpig.co.uk.
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or leave a comment, below.
In this episode of the podcast, I talk with ceramics expert Paul Crane FSA about the early years of Worcester porcelain. Paul is a consultant at the Brian Haughton Gallery, St James’s, London, and a specialist in Ceramics from the Medieval and Renaissance periods through to the Eighteenth and Nineteenth Centuries. He presently sits as a Trustee of the Museum of Royal Worcester and is also a Fellow of the Society of Antiquaries, an independent historian and researcher and a Liveryman of the Worshipful Company of Art Scholars.
Our conversation was recorded in person at the Museum of Royal Worcester. If you want to see the pieces we discuss, check out this post where I’ve added images of the majority of the items discussed or go to the YouTube channel where I’ve lined up the images with our discussion. Paul and I really do our best to describe the pieces, but of course, it’s best if you can see them for yourself.
The images used are a mixture of my own and those taken from the Museum of Royal Worcester archives. Thank you to the museum for the permission to use them.
The podcast is available on all podcast apps, just search for “The British Food History Podcast”, or stream on this Spotify via this embed:
Alternatively, watch this episode on YouTube to see the images below matched up with the sound.
We talk about Dr Wall and how he got the Worcester manufactory up and running, the importance of seeing porcelain by candlelight, asparagus servers, the first piece of porcelain you see when you walk into the museum, the Royal Lily service and how Worcester porcelain attained the Royal warrant, amongst any other things.
Those listening to the secret podcast can hear more about the early blue and white pieces, including a rare bleeding bowl, the first commemorative coronation porcelain mug and the stunning Nelson tea service, plus much more.
Dr John Wall (1708-1776)Some examples of the early blue and white porcelain.The first piece of porcelain you see when you enter the museum: the beautiful Wigornia cream boat; the ‘Wigornia’ mark; the first image of the Worcester porcelain manufactory from The Gentleman’s Magazine.
The ‘smoky primitives’ that Paul mentions that attempt to emulate the feel of silverware sparkling in the candlelight.
Two of the more frivolous items: the asparagus server and grape cart.The ‘Dr Wall’s Dinner’ display at the museum with the excellent food made by Kelly Samantha Bowes at the Fake Food Workshop – notice the asparagus server in use!The dessert course case at the museum and that ice pail containing the painted inner bowl that so excited Ivan Day!Two of the pieces from Paul’s own curated case that focuses upon the work of James Giles, plus two illustrations from the book that inspired most of the Giles art called The Natural History of Uncommon BirdsThe Duke of Gloucester tureens and service and the Royal Lily set that got Worcester Porcelain its Royal Warrant.Some of the pieces discussed in the secret podcast version of the discussion: a bleeding bowl (1754), the Wall Mug (1754) and the Nelson Tea Service (1802)
Remember: Fruit Pig are sponsoring the 9th season of the podcast, and Grant and Matthew are very kindly giving listeners to the podcast a unique special offer 10% off your order until the end of October 2025 – use the offer code Foodhis in the checkout at their online shop, www.fruitpig.co.uk.
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food, please email me at neil@britishfoodhistory.com, or leave a comment below.
Here’s a quick special bonus episode of the podcast for you – the lowdown on the Serve it Forth Food History Festival 2025, sponsored by the excellent Netherton Foundry. It’s available on all podcast apps, but if you like, listen via this Spotify embed:
My fellow festival coordinators Sam Bilton, Thomas Ntinas and Alessandra Pino and I are here to tell you more about it: how the day will work, what the sessions will be like, the topics and the guests – including my guest Tom Parker Bowles.
We have a brief discussion about our own interests and how we all got into food history. We also talk about our biggest/most embarrassing disasters.
Most important headlines are: it’s online on 18 October. It’s £16, but there’s 25% off ticket price until September 14th. Don’t worry if you miss some, or even all of the day, we will be making every recording available to all ticket holders.
NB: If you want to get 25% off the ticket price after the early bird has finished, use the offer code SERVE25 at the Eventbrite checkout.
Read more of this content when you subscribe today. A monthly subscription costs just £3 (about $3.80 USD). You get access to premium blog content, the secret podcast, the Easter eggs page (with hours of clips to listen to!) and my monthly newsletter. For more information and to sign up, go to the Support the Blog & Podcast tab. Thank you
I have teamed up with fellow food historians Sam Bilton, Thomas Ntinas and Alessandra Pino to bring you this new food history festival. It’s online – though in future years we hope to be able to do it as an in-person event – and it’s on 18 October 2025. One benefit of it being online of course is that anyone can come. If you cannot make the whole day, don’t worry all ticket holders will be sent links to recordings of each event.
Your hosts for the day (L to R): Sam Bilton, Alessandra Pino, Neil Buttery and Thomas Ntinas
We are all hosting a session, and I am kicking off the day in conversation with a very special guest, Tom Parker Bowles, about his love of traditional and classic British cooking and how we can keep it alive and relevant today. We’ll also be taking a peek at the food cooked and enjoyed by British Monarchs, from Queen Victoria to Charles III.
My guest will be none other than Tom Parker Bowles
Thomas Ntinas will be presenting A Life of Luxury: The famous chefs of the Ancient Greek world. Dr Alessandra Pino The River Remembers: A Journey Through London’s Lost Larder. Sam Bilton’s section is entitled Gourmand or Glutton? Feeding Falstaff.
There will also be food demos and short interviews in between sessions. The day begins at 10.30 am and finishes at 4.30 pm click this linkto see a full breakdown of the day.
We’re all really excited about this event, and we would love it if you can join us for the first of (hopefully) many more Serve it Forth food history festivals in the future!
My guest on the podcast today is Alex Bamji, Associate Professor of Early Modern History at the University of Leeds, and we are talking about a rare treatise on cheese dating from the Early Modern Period.
We met up at the Brotherton Library which is home to a fantastic collection of cookery books and manuscripts. We talk about cheese, health and humoral theory; what makes a good cheese; the early modern cheese landscape; cheese as a cure for gout; and cheese haters – plus many other things.
The front cover and title page of the cheese ‘pamflyt’ (University of Leeds Cultural Collections)
Those listening to the secret podcast: Alex and I talk about why cow’s milk is the best milk, and I wonder whether there any clues as to where their microbes are coming from.
The British Food History Podcast can be heard on your favourite podcast app and on YouTube, or si ply steam via this Spotify embed:
Follow Alex on Twitter, Bluesky and Instagram @alexbamji
Early Modern cheeses recreated at Kentwell Tudor Dairy, Suffolk (Tracey Doyle)
Remember: Fruit Pig are sponsoring the 9th season of the podcast and Grant and Matthew are very kindly giving listeners to the podcast a unique special offer 10% off your order until the end of October 2025 – use the offer code Foodhis in the checkout at their online shop, www.fruitpig.co.uk.
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or on twitter and BlueSky @neilbuttery, or Instagram and Threads dr_neil_buttery. My DMs are open.
I recently had a go at making a fresh blood black pudding, taking inspiration from cookery books from the 16th and 17th centuries. The fresh blood was very kindly sent to me by Matthew Cockin and Grant Harper of Fruitpig, Britain’s last craft producer of fresh blood black pudding, who are also sponsoring the ninth season of The British Food History Podcast. Listen to the episode we recorded here:
We also talked about their hog’s pudding – a type of white pudding – and I felt I had to complete the set and make an Early Modern white pudding as well.
We know where we stand with black puddings: we expect them to be made largely of blood, cereal and fat, but what about white puddings? These are more mysterious, I feel. Modern white puddings are made from ground pork, pork fat, breadcrumbs and rusk or oats, plus lashings of white pepper, and are today associated largely with Scotland and Ireland. There used to be a rich diversity of white puddings right across Britain and Ireland, their contents highly variable, the only prerequisite being that the finished product would come out white. In the Early Modern Period, they were lavish ‘puddings of the privileged’[1], and had more in common with French boudin blanc than modern British white puddings. There was plenty of eggs, milk and cream, and the meat used (if any) was suitably pale in colour: Kenelm Digby’s recipe contained the meat of ‘a good fleshly Capon’ as well as streaky bacon,[2] Thomas Dawson’s was made with a calf’s chauldron, i.e. intestines.[3] Some recipes contain no meat at all: rice pudding could be counted as a form of white pudding in this context. Things do begin to get confusing, however, because some white puddings made with pork are called hog’s puddings, but only some. As Peter Brears wrote in an article on white and hog’s puddings:
Read about the history of puddings in my book The Philosophy of Puddings, from British Library Publishing
On studying these recipes, one rather surprising fact becomes particularly obvious; there is no material significance in the various names given to such puddings. Whether called hog’s or white puddings, their ingredients might be identical, or quite disparate, while many contain absolutely no pork whatsoever.[4]
Today, hog’s puddings are associated with Devon and Cornwall. Fruitpig’s hog’s pudding uses a base of bacon and oats. We can muddy the water even further because a hog’s/white pudding if made with pig’s liver could also go by the name of leverage pudding.
Looking pretty smug with my 17th-century puds!
After a great deal of flicking through cookery books, I decided to make Gervase Markham’s white pudding from his classic The English Housewife (first published 1615), mainly because I had most of the ingredients in the house.
As you can see, Markham’s recipe contains no meat (aside from the beef suet and the pudding casings themselves).[5]
I have to say, they were a triumph! They freeze well and are easy to reheat. When it comes to serving them, let them cool for 5 minutes before cutting into them. The best way I have discovered to eat them (so far) is with crispy smoked bacon and golden syrup. Breakfast of champions.
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Recipe
Makes 6 x 375 g (approx.) puddings:
500 g cracked oat groats or pinhead oatmeal (steel-cut oats)
500 ml whole milk, plus 2 tbs for the saffron (and possibly extra, see recipe)
The day before you want to make your puddings, place the oats in a bowl or jar and pour over the milk. Cover and refrigerate. Soak your beef casings in fresh water, cover and refrigerate too.
Next day make the pudding mixture: in a large mixing bowl add the milk-soaked oats, cream, suet, sugar, eggs, dates, currants, ground spices and salt. Stir well. Warm up the 2 tbs of milk, add the saffron strands and allow them to infuse and cool, then stir into the mixture.
Now let everything meld together for a couple of hours so that the whole mixture is the consistency of spoonable porridge. If your oats were particularly absorbent, you may need to loosen the mixture with a few tablespoons of extra milk.
Cut the soaked beef casings into 35 cm lengths and tie the ends securely with string. Now it’s time to attach a funnel to the other end of your first length of gut. I used a jam funnel and secured it with more string.
Hold the funnel in one hand and add small ladlefuls of mixture into the gut. It should slip down relatively easily. Keep the funnel raised and try to massage out any large air bubbles. When the gut is around two-thirds to one-quarter full, remove the end tied to the funnel, press out any air and tie with more string. The casings are slippery and so you must make sure that the knots are made at least 2.5 cm/1 inch from the ends. I found 350 g mixture to be a good amount. Now tie the ends together with more string to make that classic pudding shape.
Keep them covered as you get a large pot of water simmering.
Cook the puddings in batches: drop three into the water and let them gently poach for 35 minutes – there should just be the odd bubble and gurgle coming from the cooking water. You must pop any bubbles immediately with a pin, otherwise the puddings will burst open. Turn the puddings over every 7 or 8 minutes to make sure both sides are cooked evenly.
When cooked, fish the puddings out and hang them up to dry for a few hours, then refrigerate.
To cook the puddings, poach them in more water for around 15 minutes, turning occasionally.
[1] Davison, J. (2015). English Sausages. Prospect Books.
[2] Digby, K. (1669). The Closet of Sir Kenelm Digby Opened (1997 reprint) (J. Stevenson & P. Davidson, Eds.). Prospect Books.
[3] Dawson, T. (1596). The Good Housewife’s Jewel (1996 Editi). Southover Press.
[4] Brears, P. (2016). Hog’s Puddings and White Puddings. Petits Propos Culinaires, 106, 69–81.
[5] This recipe is from the 1633 edition: Markham, G. (1633). Country Contentments, or The English Huswife. J. Harison.