Category Archives: history

20/12/2023 · 6:57 am

Westmorland Sweet Lamb Pie

This post complements the 2023 Christmas special of The British Food History Podcast called ‘Mince Pies’:

I have written several times about mince pies and mincemeat over the years on the blog. There are my two go-to mincemeat recipes: Jane Grigson’s Orange mincemeat, and Mrs Beeton’s traditional mincemeat, along with instructions on how to make small, individual mince pies. This year, however, I wanted to make an old-fashioned sweet lamb pie, once eaten in  Westmorland in the Northwest of England, a defunct county now making up parts of Cumbria and North Yorkshire. It was one of the last areas of the country to carry on putting meat in its mincemeat mixtures.[1] Like all mince pies of the past, they were not eaten only at Christmas, but much of the year, though because of the dried fruit content, they were associated with wintertime.

I was first introduced to this pie by Jane Grigson, and I made it many moons ago, for the Neil Cooks Grigson blog, I really liked it and have been meaning to revisit it.[2] These pies were not of the small individual type, but large plate pies, baked in a pie plate made of earthenware, tin or enamel.[3]

I’ve based the recipe on hers, but I did make some changes inspired by other recipes found on the Foods of England Project website.[4] The mincemeat isn’t cooked, but because of the booze and sugar content, it keeps very well. Don’t be put off by the meat content, it makes the filling succulent – and you can taste it, but this blurring of sweet and savoury is most delicious, something I have come to embrace after so many years of making historical British food.

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The filling:

This makes around 2 ¼ litres of well-packed filling, but I do intend to make two large pies at least and lots of smaller ones, so scale down if need be. It keeps for months if left somewhere dark, dry and cool; and remember mince pies are for life, not just for Christmas.

500 g lean lamb

200 g lamb or beef suet, membrane and sinew removed (packet stuff is acceptable if fresh is unavailable)

350 g apples, peeled and cored

120 g almonds

250 g each currants, raisins and sultanas

300 g soft, dark brown sugar

100 g chopped candied peel

Juice and zest of 2 oranges

120 ml dark rum

1 tsp salt

½ tsp ground black pepper

1 tsp each ground mace and cinnamon

½ freshly grated nutmeg

To make a truly ‘minced’ meat, you need to chop the meat, suet, apples and almonds quite finely. (You can, of course, use minced lamb, slivered almonds and grated apple and suet).

My ‘minced’ lamb and suet

Mix everything together in a large bowl and pack tightly into sterilised jars.[5] Leave to mature for at least a week before using.

The pie:

These pies were made on pie plates, but you can make them in any flan or pie tin you like. For my 26 cm diameter pie plate I used the following amounts, though the pastry was quite thin, so you may want to proportion things up in line with perhaps 360 g flour. I will leave it to you to judge size and thinness. There are instructions on how to make small, individual mince pies here.

300 g plain flour

150 g butter, or 75 g each butter and lard

75 g caster or icing sugar

80-100 ml cold water

Egg wash: 1 egg beaten with ½ tsp salt

Dice the fat and rub into the flour until breadcrumbs are formed (or use the flat beater on a machine, set to slow), then add the sugar, mix, and add the water slowly mixing and stirring. Bring everything together to form a firm dough. You might not need all of the water. Knead briefly to smooth the dough, cover and then leave to rest in the fridge for around 30 minutes.

Roll out two-thirds of the dough into a round, lift and lay it over the plate neatly. Prick the base with a fork. Spoon the filling in. Again, go with your gut – do you want a thin amount or loads? I added enough to come up to the lip of my plate.

Roll the remaining third of the pastry out into a round. As it rests, wash the rim of the pie plate and place the lid on top, securing it with a crimping tool or fork prongs or with your thumb or forefinger. Cut a steam hole and brush with egg. You can sprinkle a little sugar over the top if you fancy.

Place in the fridge to firm up and preheat the oven to 200°C. When the oven has come up to heat, slide the pie onto the centre shelf and cook for around 35 minutes, or until a good golden-brown colour and you can see the filling bubble through the steam hole.

Best eaten warm with thick cream, or rum butter.

I ate my first piece so quickly, I forgot to photograph it. This is my seconds.

[1] Mason, L. and Brown, C. (1999) The Taste of Britain. Devon: Harper Press.

[2] Read the original post here: http://neilcooksgrigson.com/2014/01/02/388-sweet-lamb-pie-from-westmorland/

[3] Grigson, J. (1992) English Food. Third Edit. Penguin.

[4] Hughes, G., ‘North Country Sweet Pie’, The Foods of England Project. http://www.foodsofengland.co.uk/northcountrysweetpie.htm

[5] To sterilise jars, heat them in the oven for 25 minutes at 120°C. Any rubber seals – or lids with rubber seals, can be sterilised in very hot water.

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09/11/2023 · 7:04 pm

Free Zoom talk in collaboration with the Museum of Royal Worcester, 15 Nov 2023

Hello everyone. Just a very quick post to let you know that I am giving a talk as part of the Museum of Royal Worcester’s Winter Online Talk series. The title of my talk is ‘Navigating Nineteenth-century English Meals – changing manners and fashions explored through Worcester porcelain’.

The talk is free and can be viewed online via Zoom. It’s on 15 November 2023 at 6pm (UK time). Click here to book your place.

It’s been really fun writing it and looking through the museum’s collection to find some interesting specimens to show and tell.

I do hope you can make it.

I’ll be talking about this item, amongst many others, but what is it? Find out on 15 November! (pic: Museum of Royal Worcester)

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31/10/2023 · 5:54 pm

Book review: A. Cook’s Perspective by Clarissa F. Dillon & Deborah J. Peterson

A. Cook’s Perspective is an investigation into the work of the rather obscure and eccentric 18th-century cook and cookery writer Ann Cook, her methods and her infamous hatred of the popular cookery writer, and her contemporary, Hannah Glasse and her book The Art of Cookery Made Plain and Easy. The book is essentially a transcript of Cook’s Professed Cookery garnished liberally with comments and insights into Ann and Hannah’s recipes, their cooking methods as well as Ann’s state of mind. The book is authored by experienced food historians and historical cooks Clarissa F. Dillon and Deborah J. Peterson who investigate Cook’s spleen-venting by cooking her and Hannah’s recipes to understand whether Cook’s vitriolic take-down of Glasse has any grounding.

A. Cook’s Perspective is a very useful book – firstly because it’s an edited transcription of Cook’s work (including her bizarre preface which attacks Hannah Glasse in rhyming couplets and long-form poetry) which is very handy for those who prefer to read a book over a digitised PDF. But the book adds so much more than that because Dillon and Peterson really get to work on fact-checking and inspecting the minutiae of Cook’s methodologies by making the recipes themselves – and it’s a mixed bag, sometimes landing in favour of Cook, other times Glasse. Their work also exposes Mrs Cook as a vindictive, petulant, embittered woman, and it gives this reader more insight into the bizarre one-sided acrimony (it is unknown whether Hannah Glasse ever met, or even knew, Ann Cook) which I had previously thought was generally in agreement of Cook’s assessment. The reality is – as usual – much more complex. Having a physical book in my hand allowed me to read Cook’s work more closely (something difficult to do when reading digitised texts online), and it shed light on the evolution and pedigree of some dishes. For example, I spotted elements of Cook’s recipe ‘To make a White Fricassey of Rabbets’ in Elizabeth Raffald’s recipe ‘Rabbits Surprized’, a dish I thought to be totally unique to Raffald.

Dillon and Peterson’s approach of writing comments beneath original prose is a good one: it helps us to understand how some recipes work, and how the writers go about interpreting them. They also demonstrate the importance and benefit of cooking the recipes oneself, rather than simply reading them. There are several occasions too where the authors are at a loss as to Ann’s meaning or point in some of her comments, many of which seem to be nonsensical or simply ‘whining’. By criticising Ann Cook’s own criticisms we do glean an extra layer of understanding of 18th-century cooking.

As someone with an interest in the cookery writers of the 18th century, I would have liked to have seen the introduction, i.e. the backstory, fleshed out a lot more: the two ladies’ biographies, achievements and inter-relatedness. Photos of the food would have helped bring the dishes to life, as would some images, say contemporary artwork, of 18th-century foods being served or prepared.

Overall, A. Cook’s Perspective is a worthy addition to the home library of anyone interested in 18th-century cookery because it provides us with practical knowledge of cooking at this point in history, but it also gives us an almost voyeuristic view of Ann Cook’s psyche and her deep-seated, intense dislike of a cookery icon at a time when the personal thoughts and feelings of female cookery writers are so rarely captured.

A. Cook’s Perspective: A Fascinating Insight into 18th-century Recipes by Two Historic Cooks by Clarissa F. Dillon & Deborah J. Peterson is out now and is published by Brookline Books.

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03/10/2023 · 5:39 pm

A Dark History of Sugar: online talk 26 October 7pm

Hello everyone!

After A Dark History of Sugar won Best First Book at the Guild of Food Writers Awards 2023 last month, I thought I would give a free online Zoom talk about the project and the history. I’ve given the talk several times, but I never did one via Zoom like I did with Before Mrs Beeton. Well, I am rectifying that with a talk on 26 October at 7pm (UK time), and I would really like it if you came. Like last time the tickets are available via Eventbrite.

The talk itself will be about 45 minutes long, but there will be plenty of time at the end for questions and general chat.

Since the last time I did a talk, both Zoom and Eventbrite have changed their packages and I can only offer 100 tickets for this event, so make sure you book quickly. Click this link to book via the Eventbrite website.

I’ll hopefully see you later this month!

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28/08/2023 · 9:05 am

School Dinner-Style Pink Sponge & Custard

As promised on the ‘School Meals Service with Heather Ellis’ episode of the podcast, I have written a recipe for a stone-cold school dinners classic for my monthly subscribers. I went for the pink-sponge and custard because quite a few people have mentioned this as a favourite on social media, so it was the obvious choice. Heather Ellis said on Twitter that there were several different colours of these sponges: I also remember brown (though I don’t think it was chocolatey, just coloured brown). Others remembered white, and I wondered if yellow was perhaps a colour? Let me know your thoughts/memories.

Listen to the podcast episode here:

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21/08/2023 · 8:03 am

Sago and Tapioca Pudding

This post complements the episode of The British Food History Podcast called ‘The School Meals Service with Heather Ellis’:

Speaking with Heather Ellis on the podcast about the School Meals Service and school dinners really fired off some food memories, good and bad. If it has in you too, please let the School Meals Project know about them – and let me know about them too – there’s a postbag episode of the podcast coming in just two or three weeks’ time. Three stuck in my mind: sago or tapioca pudding, pink sponge and custard, and Spam fritters. Of those, my favourite is sago/tapioca pudding – it genuinely is one I cook at home regularly. I know it was called frogspawn by children across the country, but if made well, it is delicious. Honest.

For anyone unfamiliar with it, it is one of a tribe of puddings known as milk puddings which are essentially a starchy ingredient cooked in milk and sweetened with sugar, but in my opinion, they need to also contain cream and flavourings such as bay leaves, vanilla or lemon rind. The best-known of these is rice pudding, but there are also semolina, macaroni and arrowroot puddings. They became popular in schools because they were an excellent way of providing children with their calcium. Sago and tapioca come in the form of small balls or pearls, which turn translucent when cooked in liquid – tapioca pearls are used to make the ‘bubbles’ in bubble tea.

Sago and tapioca can be used interchangeably in recipes and taste the same, but there is a difference between the two; sago comes from the sago palm and tapioca from the cassava plant. The former is found in India and some parts of East Africa, and the latter in the Americas. The starch is extracted from the plants’ pithy centres by grating and squeezing. It is then suspended in a little water to make a paste, which is then passed through a colander to form little pellets that are then dried.[1]

Both are very much associated with Empire, and recipes using sago begin to appear in 18th-century cookery books. In Sarah Harrison’s The House-keeper’s Pocket-book sago is simmered in water and flavoured with sugar, cinnamon and lemon.[2] Elizabeth Raffald has a complex, red-coloured sago pudding containing red wine, sugar, bone marrow and egg yolks. She does have a simpler version closer to what we would recognise today: sago simmered in milk and cream, and flavoured with sack, sugar, eggs and nutmeg.[3] Through the 18th and 19th centuries, the typical way to prepare the pudding would be to cook it on the hob and then bake it in pastry. Mrs Beeton uses sago in two more recipes: a sweet sago sauce for desserts and a sago soup.[4]

If you are unsure about making sago or tapioca pudding (or returning to it after eating the runny school kind of years past), the great food historian Alan Davidson provides some words of encouragement: ‘[I]t is sometimes despised by the ignorant, that is to say, persons who have no knowledge of how good they are when properly made.’ He casts down a caveat, however: ‘[The] texture delights a few cognoscenti in Britain but is repellent to the majority and has no doubt contributed to the virtual disappearance of the pudding from British tables.’[5] And I say that it is a crying shame. It is rarely included in cookery books anymore, not even those specialising in puddings. Justin Gellatly is a fan though, and there are a couple of recipes in Helen Thomas’s excellent Pudding Book, but that’s about it.[6]

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The typical way to cook the pudding these days is to either bake it I the oven or cook it on the hob, and I provide methods for both, though I prefer the latter. It is quick to make and, despite what other recipes say, requires no soaking – just a careful swish in some cold water.

I’ve left the amount of sugar to you. If you intend to eat the pudding with sweet jam, go for around 90 grams, if you are eating it on its own, or with tart fruit like rhubarb or gooseberry, perhaps use 120 grams of sugar.

Serves 6 to 8 people, depending upon greediness. If more appropriate, half the amounts.

Around 30 g butter (if baking)

120 g sago or tapioca pearls

90–120 g caster sugar

1 litre full-fat milk

150 ml double cream

Flavourings: 3 or 4 strips of pared lemon rind, a lightly-crushed fresh bay leaf, a few drops of vanilla extract (or replace caster sugar with vanilla sugar), almond extract, cocoa, etc.

Oven method:

Preheat the oven to 160°C. In a baking dish of 1¼ litre capacity dot the bottom with small knobs of butter. Place the sago pearls in a jug and pour over plenty of cold water to release any starch. Pour through a sieve and then scatter the sago over the base of the dish with the sugar, milk, cream and flavourings. If using cocoa powder, whisk it into the milk before pouring into the dish. Place in the oven and bake for 60-90 minutes, stirring every now and again to disperse lumps. When the time is up, and you want a browner top, you could place it under a hot grill for a few minutes. Leave the pudding to stand for 10 minutes before serving.

Hob method:

Wash the sago pearls as described above and place them in a saucepan with the remainder of the ingredients, bar the butter. Bring slowly to a simmer, stirring gently. Leave to simmer for around 15 minutes, stirring occasionally. After the 15-minute mark, keep a closer eye on it: cook a further 10 to 15 minutes, but stir more frequently, scraping any stuck bits from the base. Sago pearls stick and catch easily!

Stop cooking when the pearls are soft and gelatinous. Let the pudding stand for 10 minutes before serving. If it seems a little on the thick side, stir a little more milk through it.

References

[1] Beeton, I. (1861). The Book of Household Management. Lightning Source; Davidson, A. (1999). The Oxford Companion to Food. Oxford University Press.

[2] Harrison, S. (1751). The House-keeper’s Pocket-book And Compleat Family Cook (5th ed.). R. Ware.

[3] Raffald, E. (1769). The Experienced English Housekeeper (First Edit). J. Harrop.

[4] Beeton (1861)

[5] Davidson (1999)

[6] Gellatly, J. (2016). Bread, Cake, Doughnut, Pudding: Sweet and Savoury Recipes from Britain’s Best Baker. Penguin Books Limited; Thomas, H. (1980). The Pudding Book. Hutchinson & Co.

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03/08/2023 · 5:21 pm

Three live in-person September events

Hello everyone, a quick message for any readers in, or around, Manchester, Ludlow and Chelsea this September because I am taking part in events in all of these places, and I thought you might be interested in attending:

I’ll be speaking at Manchester Central Library about Elizabeth Raffald. The event is called ‘Elizabeth Raffald – England’s Most Influential Housekeeper’, and not only will folk hear a talk about Elizabeth, but the library with be showing items from their Elizabeth Raffald archives – so something not be missed! The event is on 13 September 2023 at 6pm. Tickets are free but you do need to book. Click this link to book a ticket.

I will be at Ludlow Food Festival talking about Elizabeth Raffald, her achievements and her legacy. The talk is on 10 September at 2.30pm For more information, and to book a ticket, click on this link.

I am talking at Chelsea History Festival on the dark history of sugar on 29 September at 6pm. Tickets are £10/£8. Click here for more information to buy tickets.

I will also be selling and signing copies of my books, A Dark History of Sugar and Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper.

I do hope that you can come to one of these events – if you do, please and say hello!

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28/07/2023 · 9:39 am

Malt Loaf

I have been meaning to give you this recipe for that most beloved of teatime treats, the humble malt loaf for ages; indeed, I have had a jar of malt syrup sitting in my food cupboard for at least three years I bought especially for this post. Well, hopefully, it’s a case of ‘the best things come to those who wait’.

For those of you unaware of this stalwart of the British teatime spread, let me explain what it is. It is a member of a tribe of baked goods known as tea loaves. They are tea loaves because they’re eaten at teatime, but also because they contain tea. They are easy to make and also contain dried fruit, and usually do not contain any butter, and should instead be eaten spread liberally with it. They are loaf-shaped but are a type of cake. A malt loaf specifically is made with malt syrup and black treacle, and like Yorkshire parkin, it needs to be left awhile to turn nice and sticky. Before we get to the recipe, let’s have a look at the history.

Looking into the origins of the malt loaf has been rather difficult; I can find a recipe for malt loaf in the June 1930 edition of the Derbyshire Times and Cheshire Herald. It sounds like a malt loaf: dark and sticky, but black treacle is used not malt syrup.1 It seems to be called a ‘malt’ loaf because of the brown, malted flour used, which is not the same. Other malt loaves certainly contained malt syrup; beloved British brands Hovis and Allinson made them. However, these loaves were of the regular sort: loaves of white bread ‘improved’ by the addition of malt syrup.2,3 The malt syrup improved the colour and flavour and produced a moister loaf. Again, not the same.

John Sorenson’s original Beswick shop (pic: Manchester Libraries)

And so, we must turn to the iconic Soreen malt loaf, which has been baked in Manchester since the 1930s. The recipe, which has supposedly never changed, was invented by Danish immigrant John Rahbak Sorenson who lived in Hulme, Manchester. He first opened a business selling bakery equipment, before starting his own bakery in Beswick, where he sold his ‘Sorenson Malt Loaf’. He sold the business in 1938, but the loaf continued to be baked, the only thing that changed was its name.4 Today, the factory resides in Trafford Park (home to Manchester United FC), where it cranks out 300,000 loaves of Soreen per day.5

Their recipe is a secret, but we do know that they use wholemeal flour; in fact, it is because of the inclusion of wholemeal flour that Soreen is marketed as a health food.4 That it is sticky with sugary syrups undoes this claim somewhat, but the combination of easily digested sugars and slow-release complex carbohydrates apparently make Soreen a favourite food for athletes.

Well, their recipe is a secret, but mine is not and it’s a tried-and-tested one. I used to make these sticky loaves for my little traditional market stall back in the day, and the recipe is based on one which appears in Gary Rhodes’ excellent book New British Classics.6 It is easy to make, but I must advise you about the flour: it must be sifted. It’s one of my most hated kitchen tasks, and I avoid it whenever possible, but in this case it is necessary. Wholemeal flour does tend to clump in the bag and seeing that the wet and dry ingredients need only the briefest of mixing, you need to be sure your flour is lump-free. That said, don’t forget to tip the bran left behind in the sieve back into the sifted flour.

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References

  1. Hughes, G. Malt Loaf. The Foods of England Project; http://www.foodsofengland.co.uk/maltloaf.htm.
  2. Oddy, D. J. From Plain Fare to Fusion Food: British Diet from the 1890s to the 1990s. (Boydell Press, 2003).
  3. David, E. English Bread and Yeast Cookery. (Grub Street, 1977).
  4. Hovis: Our Story. http://www.soreen.com/our-history/.
  5. Greer, S. Inside the Soreen malt loaf factory in Manchester. Manchester Evening News (2018).
  6. Rhodes, G. New British Classics. (Random House, 2006).

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01/07/2023 · 6:30 pm

Season 6 of ‘The British Food History Podcast’ has begun!

Hello everyone!

Just the quickest of quick posts to let you know (in case you didn’t know already) that the 6th season of The British Food History Podcast has started. I’ve already recorded several chats and still have a good few more to do. I’m really pleased with them: I think I have got a good mix of diverse topics, with England, Wales, Scotland and Ireland all covered.

If you don’t already follow or listen to the podcast, you can find it anywhere you normally find your podcast. Two episodes have already dropped, which you can listen to via this page in case you’re not usually a podcast kind of person.

Episode 1: Cake Baxters in Early Modern Scotland with Aaron Allen

Episode 2: Recreating 16th Century Beer with Susan Flavin & Marc Meltonville

Other episodes to come include Tudor cooking, medlars, the Tavern Cook Richard Briggs, canned food and hopefully quite a few more.

If you weren’t aware, I also recorded a tripe special when I was between seasons. It was a collaboration between me and historian and author Sam Bilton. Have a listen here if you fancy:

Don’t forget I do a postbag episode at the end of each season so if you listen and have a question, comment or query, please contact me – either by leaving a comment at the end of this post, or by emailing me at neil@britishfoodhistory.com. I’d love to hear from you.

If you are a monthly subscriber, you access the Easter Eggs associated with these episodes – full cuts of interviews I had to trim down, outtakes, etc. all very interesting (in fact often the most interesting!) but sadly excised because of time restraints. There is also an extra mini-season of episodes about forgotten foods, as well as an extra bonus episode from season 5. Subscribers also get premium blog content and a monthly newsletter.

If you like the blogs and podcast I produce and would to start a £3 monthly subscription, or would like to treat me to virtual coffee or pint: follow this link for more information. Thank you.

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25/06/2023 · 5:01 pm

Forgotten Foods #10: Porpoise

The harbour porpoise was the most commonly species eaten. They are 1.5 to 1.9m meters in length (Ecomare/Salko de Wolf Den Hoorn Texel)

It seems almost inconceivable that the porpoise – a type of small dolphin – would ever have been eaten, but it was once a most high-status ingredient. Although it is obviously a mammal, in the Middle Ages it was considered a fish, and therefore it could be eaten on fast days (all of the cetaceans were ‘fish’ as were seals and beavers’ tails) and it was usually served on fish days as a substitute for venison, another very high-status meat.[1] It seems that this was a bit of a blip for Europe: for the last few centuries, as well as in antiquity, dolphins have been very much considered a ‘friend of man’, and not an animal that should be eaten, not so in the Middle Ages.[2] The word porpoise comes from the Old French words porcus and piscus: ‘pigfish’ They have also gone by the names ‘mere-swine’ and ‘seahog’[3] and were eaten at the poshest of posh feasts. When George Neville celebrated becoming Archbishop of York in 1466, he held a huge feast, inviting 2000 guests of very high rank, the fish course was made up of 608 bream and pike, and 12 porpoise and seal.[4]

There were several ways of preparing it; if fresh it was poached and served in slices. In the late 14th century manuscript Forme of Cury, it is served with frumenty.[5] Sometimes it was cooked in a broth with wine, vinegar, bread, onions and its own blood.[6] It was also salted and cooked with dried peas and beans, rather like salt pork. If tip-top fresh, ‘porpesses must be baked’. The carving term for a baked porpoise is ‘undertraunche’[7], and it is served dressed with vinegar, cinnamon and ginger.[8]

The earliest mention of a porpoise hunt occurring in the British Isles comes from the 7th century just off the Irish coast by ‘foreigners’ most probably Vikings. The 10th century manuscript Ælfric’s Colloquy does mention the hunting of dolphins[9] and when we tick into the 11th century – during the reign of Æthelred II (the Unready) – there are rolls listing fisheries in Gloucester which specialised in fishing for them. Just one porpoise is mentioned in the Domesday Book – it was paid as geld at an estate in Kent. Post-conquest, they appear more frequently in ordinances for example: 10 people were supplied for Henry III in 1256 at the Feast of St. Edward – a feast that always occurs during Lent.[10]

A medieval depiction of a dolphin eating a fish (from
Kongelige Bibliotek, Gl. kgl. S. 1633 4º, Folio 60v)

One does have to wonder how much luck was needed when it came to ‘hunting’ them because the majority of them seem to have been opportunistically acquired after the poor beasts were found beached. One, therefore, also has to wonder just how fresh these porpoises were when delivered to a noble’s kitchen. I suspect that they were very quickly salted down and stored until there were ordered. There were laws laid down as to who owned the poor creatures after they were found beached; for most of the Middle Ages they were considered ‘wrecks of the sea’, so it was a case of finders’ keepers, but in the 13th and 14th centuries – the period when eating porpoises reached its peak – it was asserted that all beached porpoises belonged to the Crown.[11]

The number of porpoises consumed really drops in the Early Modern Era: Henry VIII was gifted a porpoise at Calais in 1532, and in 1575 (during the reign of Elizabeth I) one appeared for sale at Newcastle Market. After that, mentions of porpoises as food seem to dry up.[12]

If you are a historical cook, you might be wondering what you could substitute if you wanted to recreate a dish containing porpoise for a medieval menu. Historian Peter Brears has one fine suggestion: use a large piece of the freshest, firmest and largest block of tuna you can afford![13]

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[1] Brears, P. (2012). Cooking & Dining in Medieval England. Prospect Books.

[2] Davidson, A. (1999). The Oxford Companion to Food. Oxford University Press.

[3] Gardiner, M. (1997). The Exploitation of Sea-Mammals in Medieval England: Bones and their Social Context. Archaeological Journal, 154(1). https://doi.org/10.1080/00665983.1997.11078787; The Shuttleworth Family. (1858). The House and Farm Accounts of the Shuttleworths of Gawthorpe Hall, in the County of Lancaster, at Smithils and Gawthorpe From September 1582 to October 1621 · Part 4 (J. Harland, Ed.). The Chetham Society.

[4] Brears (2012)

[5] Frumenty: a whole wheat ‘risotto’, ‘messe it with porpays’, says Forme of Cury.

[6] Hieatt, C. B., & Butler, S. (1985). Curye on Inglysch: English culinary manuscripts of the fourteenth century. Oxford University Press.

[7] In the Middle Ages each animal served at table had its own carving term: so one doesn’t carve a porpoise, one ‘undertraunches’ it.

[8] Brears (2012); Furnivall, F. J. (1931). Early English Meals and Manners. Forgotten Books.

[9] It also states that whales should not be hunted: far too dangerous. Read a translation online here: https://pdf4pro.com/amp/view/aelfric-s-colloquy-translated-from-the-latin-by-2a9241.html

[10] Gardiner (1997)

[11] Ibid.

[12] The Shuttleworth Family (1858)

[13] Brears (2012)

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