Tag Archives: The Georgians

Housekeepers & Butlers with Peter Brears

In today’s episode of The British Food History Podcast, I speak with Peter Brears, a world-leading food historian. He was director of both York and Leeds City Museums, and is a consultant to the National Trust, English Heritage and Historic Royal Palaces.

He is the winner of the André Simon award for his book, Cooking and Dining in Medieval England, published in 2012, which is a must-have, as are his other books in the series that focus on upper-class cooking and dining in the Tudor and Early Stuart periods, and most recently in the Victorian country house.

He is also a founding member of the Leeds Symposium of Food History and Traditions, which will have its 40th next year.

Our conversation was recorded in person at his home in Leeds.

We talk about the roles of the housekeeper and butler first in the Victorian period, but then trace their histories back right to the Middle Ages in the case of the butler. Also covered: orchestrating big meals, the drinks prepared by the butler, the mysteries of the stillroom, and the pressures of preparing a baked Alaska – amongst many other things.

The podcast is available on all podcast apps and YouTube. You can also stream it via this Spotify embed:

Those listening to the secret podcast can hear about French and Russian service, when housekeepers are definitely not subservient, the dos and don’ts of displaying porcelain and the contents of the housekeeper’s cupboard.

Remember: Fruit Pig are sponsoring the 9th season of the podcast, and Grant and Matthew are very kindly giving listeners to the podcast a unique special offer 10% off your order until the end of October 2025 – use the offer code Foodhis in the checkout at their online shop, www.fruitpig.co.uk.


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This episode was mixed and engineered by Thomas Ntinas of the Delicious Legacy podcast.

Things mentioned in today’s episode

Cooking & Dining in Medieval England by Peter Brears (2012)

Cooking & Dining in Tudor & Early Stuart England by Peter Brears (2015)

Cooking & Dining in the Victorian Country House by Peter Brears (2023)

Before Mrs Beeton: Elizabeth Rafflad, England’s Most Influential Housekeeper by Neil Buttery (2023)

Everyday Life in Seventeenth Century Calderdale by Peter Brears (2025)

Peter’s PPC article ‘What the housekeeper kept in her drawers’ (2015) PPC 103, 61-74

Serve it Forth website – You can still receive 25% off the ticket price using the code SERVE25 at the checkout!

Serve it Forth Eventbrite page

Roast Saddle of Lamb on the Neil Cooks Grigson blog

Previous pertinent podcast episodes

18th Century Dining with Ivan Day

Elizabeth Raffald with Neil Buttery & Alessandra Pino

Neil’s other blog and YouTube channel

The British Food History Channel

‘Neil Cooks Grigson’

Neil’s books

Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper

A Dark History of Sugar

Knead to Know: a History of Baking

The Philosophy of Puddings

Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or on twitter and BlueSky @neilbuttery, or Instagram and Threads dr_neil_buttery. My DMs are open.

You can also join the British Food: a History Facebook discussion page: https://www.facebook.com/groups/britishfoodhistory

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Dr Wall’s Dinner wins at the British Library Food Season Awards 2025

At the Awards! L-R: Nina Lewis, Neil Buttery, Kate Travers, Martin Driscol and Kirsty Hopkinson

I have some very exciting news to share! The project that I worked on with the Museum of Royal Worcester in 2023-2024 won the Food on Display award at the inaugural British Library Food Season Awards on the 9th of June.

The project, called Dr. Wall’s Dinner was developed with partners Worcestershire LitFest & Fringe and Heart of Worcester College. If you want to know more about the project, check out this short YouTube video.

The judges were chef, writer and television presenter Nadiya Hussain, Food Historian and Curator at the Library, Polly Russell, Scent Designer and Food Historian Tasha Marks and Elly Magson, Senior Interpretation Manager at the Library. A big thank you to all of them, and we’re so glad the project has been recognised in this way.

The judges were all drawn to the detail and creativity of Dr Wall’s Dinner at the Museum of Royal Worcester. The display and accompanying programme explored several interesting narratives around Georgian Dining, in a way that was both educational and visually striking. It was a wonderful example of how food can be used to animate a collection and reach different audiences.

Judges (L to R): Polly Russell, Elly Magson and Tasha Marks

There were several elements to the project, including the recreation of an 18th-century dining table, one that the founder of Worcester Porcelain – Dr Wall – might have enjoyed, including some very realistic fake food made by Kerry Samantha Boyes of the Fake Food Workshop in Kirkcudbright, Scotland. I also delivered some historical food workshops, making junkets with Key Stage 2 pupils; historical pies and pasties with the Hospitality & Catering students at the Heart of Worcester College; and plum pudding workshops with adults. A heady mix!

There was too the Worcestershire LitFest & Fringe, who, as a group, took inspiration and created original poems celebrating the ‘Language of porcelain and food’. Many of these are on display in the museum.

A huge thank you to everyone who was involved, especially Natasha Wilcockson who put in so much groundwork bringing together so many different people and keeping us all driving it forward.

The aim of the project wasn’t to show off the lovely porcelain – the museum was already a fantastic job – the aim was to explore the ways in which the porcelain was used and who was interacting with it: from the cooks in the kitchen to the guests sat around the table itself.

To kick off the project, I gave an online talk on the subject which can be watched here:

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‘Before Mrs Beeton’ wins at the Guild of Food Writer’s Awards 2024

Hello there everyone! Just a very quick post with some slightly belated good news. My biography of Elizabeth Raffald, Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper won the Best Book category at this year’s Guild of Food Writer’s Awards. I’m still rather bowled over about it, I must say, and certainly wasn’t expecting to win, despite winning the Best First Book award last year, in fact with the Raffald book, I thought it (superficially) niche in the big and varied world of food writing.

The evening was such good fun, the awards ceremony itself hosted by Leyla Kazim. Other notable award wins from the point of view of history were the Lifetime Achievement Award for Dame Prue Leith (with special appearance from Sandi Toksvig!) and the Newcomer award which went to Scots food historian Peter Gilchrist. I shall be trying my best to get him on the podcast at some point this year.

Anyway, off I pop to write a proper post for you all. xxx


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Free Zoom talk in collaboration with the Museum of Royal Worcester, 15 Nov 2023

Hello everyone. Just a very quick post to let you know that I am giving a talk as part of the Museum of Royal Worcester’s Winter Online Talk series. The title of my talk is ‘Navigating Nineteenth-century English Meals – changing manners and fashions explored through Worcester porcelain’.

The talk is free and can be viewed online via Zoom. It’s on 15 November 2023 at 6pm (UK time). Click here to book your place.

It’s been really fun writing it and looking through the museum’s collection to find some interesting specimens to show and tell.

I do hope you can make it.

I’ll be talking about this item, amongst many others, but what is it? Find out on 15 November! (pic: Museum of Royal Worcester)

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To Make Butter Sauce (aka Good Melted Butter)

If you leaf through English cookery books of the 18th and 19th centuries, you will see much mention of ‘melted butter’ or ‘good melted butter’, such as this one, a recipe for egg sauce from Elizabeth Raffald’s The Experienced English Housekeeper (1769)[1]:

You would be completely forgiven if you took those words literally, however, what Elizabeth is referring to is butter sauce, ‘or’, as one-time chef to Queen Victoria Charles Elmé Francatelli put it, ‘as it is absurdly called, melted butter’.[2] It achieved this misleading moniker simply because of its ubiquity. In fact, it was so ubiquitous that Mrs Raffald doesn’t even include a recipe for it. Luckily for us, Hannah Glasse does in Art of Cookery[3]:

Used freely across three centuries, it became known as the ‘one sauce’ of England. The recipe, at least in its constituents, doesn’t really change: it is essentially a thin roux made with flour and water (or stock), enriched with melting cubes of butter, essentially a beurre blanc stabilised with flour – very useful for a sauce that was potentially left standing on a dining table for an hour. Jane Grigson likened it to a hollandaise thickened with flour instead of egg yolks.[4] It can certainly be used in place of either. Butter sauce forms the basis of several other sauces, it can be sharpened with lemon juice, enriched with cream, or flavoured with herbs. Sometimes it is flavoured with shellfish, and even gooseberries if it is to be served with mackerel.

Like many of our common foods, they are mistreated, corners are cut and fillers are added. As Francatelli observed, ‘it is too generally left to assistants to prepare as an insignificant manner; the rest is therefore seldom satisfactory.’[5] Indeed, my first meeting with it was back in the 1980s in the form of a boil-in-the-bag frozen cod steak in butter sauce. I certainly enjoyed it at the time, but upon making a ‘proper’ one decades later for my Neil Cooks Grigson blog,[6] I immediately saw that the sauce I had consumed as a child was a shadow of its former self. Writing in English Food at a time when the hold nouvelle cuisine had on the restaurant scene was beginning to wane, Jane Grigson hoped we might return to this sauce and appreciate it again.[7] We didn’t, but perhaps now is the time?


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My recipe, below, is adapted from Jane Grigson’s, which in turn, is adapted from Francatelli’s, so it has quite the pedigree. The only significant change I have made is to reduce the amount of flour. I’ve tinkered with amounts so that a full 250g pack of butter is used; no messing about with weights (and there is something quite satisfying about using a whole block of butter). Don’t let any memories of bad school meals put you off, and don’t let the amount of butter put you off either, it’s a surprisingly light and delicate sauce.

It’s simple to prepare, as long as you don’t let the diced butter become hot enough it melts fully. I love this sauce served with steamed vegetables such as asparagus, purple sprouting broccoli, leeks or new potatoes, as well as simple poached eggs, sole or salmon. If you have some poaching liquid or stock, it can replace the water used in the recipe.

I’ve provided some simple, classic variations below should you fancy trying them.

Serves 4 to 6:

250g very cold unsalted butter, diced

2 level tsp plain flour

120ml hot water

Salt

Ground black pepper

Pinch nutmeg and mace (optional)

Squeeze lemon juice

2 tbs cream (optional)

Put around one-third of the butter in a saucepan over a medium-low heat and allow it to melt, then stir in the flour with a wooden spoon, or better a small whisk, and allow to cook gently for a couple of minutes – on no account let it brown. If the flour fries and clumps a little, don’t worry. Now mix in the hot water by degrees, only adding more when the water in the pan has fully mixed into the flour and butter. Season with salt, pepper and nutmeg and mace, if using. Allow to gently simmer for 6 or 7 minutes over a low heat. Take the pan off the heat and let it cool for 2 minutes.

Now start beating into the sauce 3 or 4 cubes of butter so that they slowly melt and amalgamate into the sauce. Only when the cubes have disappeared, should you add more. Once you have done this a couple of times, the sauce will cool and the cubes won’t melt so easily, so put the pan over the lowest heat possible, and then continue to add more.

When the butter is used up, add a small squeeze of lemon, stir and check for seasoning. If you like, add cream.

Serve the sauce in a warm jug, or pour over vegetables or fish.

Variations:

Parsley sauce: add a tbs of finely chopped parsley. Eat with some delicately poached cod and stick two fingers up to Captain Birdseye.

Caper sauce: add a tbs of capers, whole or chopped. If you like, season with a little wine vinegar instead of lemon juice. A more piquant sauce to eat with richer foods: skate, brains and poached lamb or mutton.

Egg sauce: make the sauce as above, but when it is ready add the mashed yolks of 3 hard-boiled eggs and then the whites finely diced. Traditionally this is eaten with salt cod and parsnips in Lent.

Shrimp sauce (possibly the most delicious variation). Use a good handful of cooked brown shrimp in their shells (if you can get them) or small prawns. Remove the shells, and boil them in the water to make a rich stock. Use this instead of water. When the sauce is ready, stir in the shelled prawns or shrimps. This is delicious poured over poached turbot. You can also make this sauce with crab or lobster.


Notes

[1] Raffald, E. (1769) The Experienced English Housekeeper. First Edit. J. Harrop. Available at: https://archive.org/details/experiencedengl01raffgoog

[2] Francatelli, C. E. (1888) Francatelli’s Modern Cook. 26th edn. T. B. Peterson & Brothers. Available at: https://www.google.co.uk/books/edition/Francatelli_s_Modern_Cook/ww5Yg0hT5eQC?hl=en&gbpv=0

[3] Glasse, H. (1747) The Art of Cookery Made Plain and Easy. Prospect Books. The image is taken from the 1763 edition, but the recipe is unchanged from the original 1747 edition.

[4]Grigson, J. (1992) English Food. Third Edit. Penguin.

[5] Francatelli (1888)

[6] Buttery, N. (2011) #272 Melted Butter, Neil Cooks Grigson. Available at: http://neilcooksgrigson.com/2011/02/06/272-melted-butter/

[7] Grigson (1992). Though I have referenced the third edition, Jane made this point in the second edition, which was published in the 1980s

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Elizabeth Raffald talk: 26 April 7PM (BST)

Hello folks!

I hope you are about to have a nice relaxing long Easter weekend. I’m just doing a very quick post to let you all know about a free Zoom talk I am giving on 26 April at 7pm (BST).

It is called The Extraordinary Life of Elizabeth Raffald, and over the course of about 45 minutes I’ll tell you about her remarkable achievements (in life AND death), as well as her dramatic rise and fall story. I’m leaving plenty of time afterwards for questions and discussion. I do hope that you can come.

You can order a free ticket to the Zoom talk via this Eventbrite link, or use the widget below.

Hopefully I shall see you soon.

Don’t forget that my book, Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper, is available to buy from all good bookshops, and (at time of writing) at a discounted rate from publisher Pen & Sword.

P.S. I am also doing a talk in Manchester on 14 May, but I’ll tell you about that in a week or so.

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Wigs / Whigs / Wiggs / Whiggs

Wigs – whichever way you spell them – were a type of enriched, leavened teacake. They reached a peak in popularity in the eighteenth century but may have been cooked up as early as the fifteenth.[1] It seems that they were eaten up until 1900,[2] though as with many foods, they changed their form somewhat.

Elizabeth Raffald included a recipe ‘To make Light Wigs’ in her 1769 book The Experienced English Housekeeper,[3] so I thought I would devise an updated recipe for them using modern kitchen equipment, weights and measures.

This is her recipe taken from the first edition:

As is often the case, her recipes are a mixed bag of precision and vagueness, and this one is no different: we have proportions – the most important thing, I suppose – but little else concerning mixing, shaping and baking. And what are the seeds she mentions? Luckily, by cross-referencing other recipes and others’ research, we can build up a good idea of what they were like.

Let’s dissect the recipe sentence by sentence:

  1. First of all, we have to make a simple dough of flour, milk and barm and prove it somewhere warm. Barm is the frothy yeast skimmed from fermenting vats of beer; it is from here we get our leaven. The bubbles of gas in low-gluten flour doughs with little elasticity (as would have been the case here) tend to pop quickly, so we have to assume that the dough was kneaded to develop what gluten was present.
  2. Once proved, add the butter and sugar. It’s very common, even in modern recipes, to add the enriching ingredients after the first prove. Ingredients such as these get in the way of entangling gluten strands, and their heaviness slow proving even further. These days however with our robust fast-action yeasts, I find dough rises well with all of the ingredients mixed right from the start – though I hedge my bets a little by using a mix of plain and strong white flours.
  3. Elizabeth tells us to ‘make it into Wigs’ which isn’t useful for those of us in the twenty-first century. It does inform us that they were common enough in 1769 for Elizabeth to assume we would all know the correct shape. Another recipe given in Florence white’s Good Things in England says to make wigs ‘into any shape you please’.[4] Elizabeth David helps us out here by spotting that the word wig comes from the Dutch weig, meaning wedge-shaped.[5] She thinks the round of dough would be split into sixteenths, but I think sixths or eighths would be better.
  4. As for the seeds; all other recipes state caraway seeds for wigs. I like them so much I put them in and on the dough before baking.

There are richer versions of this basic recipe. Hannah Glasse’s ‘light Wigs’ are very similar to Elizabeth’s, but she also includes a richer version (‘very good Wigs’) containing egg, cream, spices and sack.[6] Some recipes ask you to egg wash the wigs and sprinkle coarsely crushed lumps of sugar over them.[7] I opt for a milk wash and granulated sugar.


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Wigs can be eaten buttered, and when cold eat like very sweet scones, when warm they are softer and stodgier, though not in a bad way. Elizabeth suggests toasting them and pouring stewed cheese over them – a recipe for which can be found in my book Before Mrs Beeton.

My recipe makes 1 round that can be divided into 6 or 8 wigs:

5g/1 tsp yeast

5g/1 level tsp salt

180g strong white flour

180g plain white flour

120g caster sugar

1 tbs caraway seeds

120g softened salted butter

200ml warm milk, plus extra for brushing

A smear of sunflower oil

Granulated sugar for sprinkling

In a bowl, mix the yeast, salt, flours, caster sugar, and most of the caraway seeds (keep a few behind to sprinkle on the top). Make a well in the centre and add the butter and milk. Mix preferably with the dough hook of a food mixer, if not a wooden spoon – the mixture is very sticky indeed, a good 7 or 8 minutes, or until the dough is smooth.

Oil a clean bowl and place the dough inside. Cover and allow to prove in a warm place for between 60 and 90 minutes. The dough is so enriched that it doesn’t double in volume like regular bread or bun dough, but it does need to have increased in volume noticeably.

As you wait, line a 21 cm/8 inch cake tin with greaseproof paper. Elizabeth asks us to shape the wigs ‘with as little Flour as possible’, but I find that a good strewing of flour is best. The dough needs to be brought into a tight dough ball; again not as tight as is usually possible, due to all of that sugar and butter. I find a couple of dough scrapers helped a great deal at this point.

Once gathered, plop the dough into the lined tin, cover and allow to prove for 30 to 45 minutes. Using a well-floured dough scraper split the dough into 6 or 8 wedges.

It was tricky to make the cuts: flour your dough scraper very well

When the proving time is almost up, preheat your oven to 175°C and place an ovenproof dish at the bottom of the oven. When the wigs are ready to go in, put the kettle on. When boiled, finish preparing the wigs by brushing the top with milk and scattering the reserved caraway seeds and a little granulated sugar over the top, then place on a baking tray.

Open the oven door, slide the wigs onto the centre shelf, then gingerly pull out the hot ovenproof dish and pour in a good amount of hot water, then quickly but carefully slide it back in and close the oven door.

Bake for around 45 minutes until well-risen and golden brown on top. Cool on a wire rack in its tin. Serve cold or warm with butter and sliced or toasted cheese.


Notes

[1] David, E. English Bread and Yeast Cookery. (Grub Street, 1977).

[2] By this point, wigs had become a fruit cake or scone, leavened with baking powder and sweetened with candied angelica, citron peel and glacé cherries. Hartley, D. (1954) Food in England. Little, Brown & Company.

[3] Raffald, E. (1769) The Experienced English Housekeeper. First Edit. J. Harrop. Available at: https://archive.org/details/experiencedengl01raffgoog.

[4] White, F. (1932) Good Things in England. Persephone.

[5] David (1977).

[6] Glasse, H. (1747) The Art of Cookery Made Plain and Easy. Prospect Books.

[7] David (1977).

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‘Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper’ – out February 28 2023

I am very pleased to announce that my second book, a biography of the 18th century cookery writer, entrepreneur and Manchester legend Elizabeth Raffald will be published in the UK on 28 February 2023. It is called Before Mrs Beeton: Elizabeth Raffald, England’s Most Influential Housekeeper and is published by Pen & Sword History. North American readers: I’m afraid you’ll after wait until 28 April before you can get your hands on a copy. Rest of world: please check with your favourite bookshop.

Detail of a map of Elizabeth Raffald’s Manchester

Before I tell you more about the book, I thought I’d let you know that if you pre-order via Pen & Sword’s website (so there’s not long left) you can get 20% off the cover price. The book is, of course, available from other booksellers. I will be selling some copies too, which of course will be signed by Yours Truly.

I’ll be posting all sorts about Elizabeth and 18th century food throughout March on the blog and on social media, so if you don’t follow me already on social media, now is the time to do so. I am @neilbuttery on Twitter, dr_neil_buttery on Instagram and my Facebook discussion group can be viewed here.

The book has a recipe section: this is ‘A Hunting Pudding’ from The Experienced English Housekeeper (1769)

The book charts Elizabeth’s many achievements and life events, the best known being the publication of her influential cookery book The Experienced English Housekeeper in 1769 – but there are many, many others. Her life was a dramatic one: starting life in domestic service, she rose to fame and fortune and transformed Manchester’s business community, before a tumultuous fall. Her book outlived her, but its popularity had a great rise and fall too.

I discovered Elizabeth via Jane Grigson, and it is these two food writers who have been my biggest, and most constant inspiration through 15 years of researching and cooking British food, and I am so happy to be the one to write Elizabeth’s biography.

The very passage in English Food by Jane Grigson that introduced me to Elizabeth Raffald

Mrs Beeton’s name is in the title for a variety of reasons, the main one of which being that it is Elizabeth – a full century before Beeton and her book – who defined what we think of today as traditional British food, not Isabella Beeton, yet it is Beeton who is placed on that pedestal.

To find out more about the book, listen to this recent podcast about Elizabeth, her life, and more about why Mrs Beeton has a lot to answer for!

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