Monthly Archives: June 2025

Saffron Buns

Saffron-scented buns, breads and cakes used to be enjoyed right across England from at least the 17th century. Today, however, they are typically found in bun form and are associated with Cornwall because, from around the 1780s, saffron was only grown in this area and Essex.[1]

A modern-day saffron bun is a lovely egg yolk yellow and has that lovely, unique earthy flavour associated with the spice. Other ingredients usually include mixed spice, dried fruit and a little sugar, and e enriched with a good amount of egg and clotted cream, though as Sam Bilton points out in Fool’s Gold: A History of British Saffron, Sarah Harrison’s 18th-century recipe contains no fruit, and the only spice used aside from saffron is coriander seed.[2] Early recipes are usually for single, large cakes such as Sir Kenelm Digby’s ‘excellent cake’, which is baked in a hoop and requires ‘a Peck of fine flower’. It’s enriched with (amongst other things) ‘one pint of Sack…half a pint of Rose-water [and] half a quarter of an ounce of Saffron.’ It is then iced with sugar and egg whites flavoured again with rose water.[3] Rosewater seems to have been a key ingredient because it’s still used a century later in John Farley’s London Art of Cookery (1783) and again in Cassell’s Dictionary of Food a century after that.[4] Perhaps it should be brought back?

Sir Kenhelm Digby’s ‘excellent’ saffron cake also contained rose water

Because of their expensive and rich ingredients, saffron buns are associated with celebrations and feast days. On Good Friday (a day associated with spiced buns), they were cut with a cross and brushed with a saffron wash and eaten with clotted cream.[5] At Christmastime, they were made into miniature cottage loaf shapes. They were also a special taste of home: folk of Newquay, when putting together Christmas food parcels to be sent to fighters during the Great War, were sure to include saffron cakes and buns.[6]

If you want to know more about the history of baking, check out my book Knead to Know, published by Icon Books.

 According to Cassell, aside from providing colour and flavour, saffron makes buns or cakes ‘wholesome and palatable’, aids digestion and will ‘drive out intestinal worms’ to boot, and suggests swapping the liquid used in your favourite bun or cake recipe for saffron-steeped hot water that has been allowed to cool to blood heat.[7]

Saffron is the most expensive spice in the world by weight, and there was (and still is) therefore pressure for food manufacturers to use an adulterant such as yellow food colouring or turmeric to offset costs. Real saffron buns are appropriately (but proportionally) more expensive than your regular fruit bun, and according to Elizabeth David, the strands are not strained from their soaking water as one might expect, ‘probably as a visible sign that true saffron has been used.’[8]

But how much saffron to use? Amounts can vary greatly, and Sam Bilton wrestles with this question: she spotted that Elizabeth David complained about people using too much saffron in their cooking – true, it can taste soapy when over-applied – but then asks for four pinches in her recipe for buns![9] Of course, the answer depends upon a few factors: the quality of your saffron, how long it has been sitting in the spice rack, and how much you enjoy the flavour of saffron. My recipe uses ‘a good 2-finger pinch’.

This is what ‘a good 2-finger pinch’ looks like

If you want to know more about the history of saffron in Britain, have a listen to this episode of The British Food History Podcast with guest Sam Bilton:


If you like the blogs and podcast I produce and would to start a £3 monthly subscription, or would like to treat me to virtual coffee or pint: follow this link for more information. Thank you.


Recipe

Makes 12 buns.

230 ml full-fat milk, plus extra for brushing.

A good 2-finger pinch of saffron

500 g strong white bread flour, plus extra for rolling

1 tsp/8 g instant yeast

1 tsp/10 g salt

¾ tsp mixed spice or 1½ tsp ground coriander seed

60 g caster sugar

2 eggs, beaten

120 g clotted cream

A little flavourless oil for proving

120 g mixed dried fruit (currants, raisins and sultanas)

Pour the milk into a small saucepan and bring to scalding point. Check to see if a skin has formed on the milk’s surface, if so, remove it before adding the saffron.[10] Whisk in the saffron strands and let the milk cool to ‘blood heat’ (about 40°C).

Mix the flour, yeast, salt, spice/s and sugar in the bowl of a tabletop mixer, make a well in the centre and add the eggs, clotted cream and saffron-infused milk. Attach a kneading hook, mix to combine on a slow speed and then turn up the speed a couple of notches and knead for around 6 minutes, until the mixture is smooth and elastic – it will still be a little sticky.

Add a little oil to a bowl and with oiled hands, gather up your dough into a ball and sit it in the bowl. Cover with cling film or a damp, clean tea towel until it doubles in size. Mine took 2 hours.

Knead the dried fruit into the dough, then divide into 12 (for precision weigh the dough), then line a baking tray with greaseproof paper.

Roll each piece of dough into tight balls using a very small amount of flour to prevent it sticking and then arrange on the baking tray. Cover and allow to prove – this usually takes a third of the time as the first rising.[11]

Preheat the oven to 200°C and use the steam setting, or place a metal tray on the base of the oven and pour water into it.

Brush the buns with milk and place in the oven for 18 to 20 minutes. If they turn too golden brown, turn down the heat to 175°C.

When ready, remove from the oven and immediately brush with more milk and then throw a double layer of clean tea towels over them and allow to cool.

These are best eaten on the day they were made; any older than that, they should be toasted.


Notes:

[1] Davidson, A. (1999) The Oxford Companion to Food. Oxford University Press; Mason, L. and Brown, C. (1999) The Taste of Britain. Devon: Harper Press. It also prompts the question – why are there no famous Essex saffron bakes or dishes? Maybe there is.

[2] Bilton, S. (2022) Fool’s Gold: A History of British Saffron. Prospect Books.

[3] Digby, K. (1669) The Closet of Sir Kenelm Digby Opened (1997 reprint). Edited by J. Stevenson and P. Davidson. Prospect Books.

[4] Cassell (1883) Cassell’s dictionary of cookery. Cassell, Petter, Galpin & Co.; Farley, J. (1783) The London Art of Cookery, and Housekeeper’s Complete Assistant. Price.

[5] Mason & Brown (1999); Bilton (2022).

[6] Bilton (2022).

[7] Cassell (1883)

[8] David, E. (1977) English Bread and Yeast Cookery. Grub Street.

[9] Bilton (2022).

[10] I speak from personal experience here: if you don’t remove the skin, the strands just get caught encapsulated in it.

[11] The best things to use to cover a whole tray of buns are a large shopping “bag for life”, an upturned plastic storage box or a damp, clean tea towel: take your pick.

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Dr Wall’s Dinner wins at the British Library Food Season Awards 2025

At the Awards! L-R: Nina Lewis, Neil Buttery, Kate Travers, Martin Driscol and Kirsty Hopkinson

I have some very exciting news to share! The project that I worked on with the Museum of Royal Worcester in 2023-2024 won the Food on Display award at the inaugural British Library Food Season Awards on the 9th of June.

The project, called Dr. Wall’s Dinner was developed with partners Worcestershire LitFest & Fringe and Heart of Worcester College. If you want to know more about the project, check out this short YouTube video.

The judges were chef, writer and television presenter Nadiya Hussain, Food Historian and Curator at the Library, Polly Russell, Scent Designer and Food Historian Tasha Marks and Elly Magson, Senior Interpretation Manager at the Library. A big thank you to all of them, and we’re so glad the project has been recognised in this way.

The judges were all drawn to the detail and creativity of Dr Wall’s Dinner at the Museum of Royal Worcester. The display and accompanying programme explored several interesting narratives around Georgian Dining, in a way that was both educational and visually striking. It was a wonderful example of how food can be used to animate a collection and reach different audiences.

Judges (L to R): Polly Russell, Elly Magson and Tasha Marks

There were several elements to the project, including the recreation of an 18th-century dining table, one that the founder of Worcester Porcelain – Dr Wall – might have enjoyed, including some very realistic fake food made by Kerry Samantha Boyes of the Fake Food Workshop in Kirkcudbright, Scotland. I also delivered some historical food workshops, making junkets with Key Stage 2 pupils; historical pies and pasties with the Hospitality & Catering students at the Heart of Worcester College; and plum pudding workshops with adults. A heady mix!

There was too the Worcestershire LitFest & Fringe, who, as a group, took inspiration and created original poems celebrating the ‘Language of porcelain and food’. Many of these are on display in the museum.

A huge thank you to everyone who was involved, especially Natasha Wilcockson who put in so much groundwork bringing together so many different people and keeping us all driving it forward.

The aim of the project wasn’t to show off the lovely porcelain – the museum was already a fantastic job – the aim was to explore the ways in which the porcelain was used and who was interacting with it: from the cooks in the kitchen to the guests sat around the table itself.

To kick off the project, I gave an online talk on the subject which can be watched here:

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Scones: A Brief History

A couple of posts ago I gave you my recipe for scones. As with many foods, there is a variety of baked things that are called scones, which can cause a certain amount of confusion (see also: pudding[1], bun and cake[2]). My recipe is for what I think most people would consider a ‘proper’ scone: cakey, slightly dry and crumbly and therefore served spread with lashings of jam and butter or clotted cream. In other words, the scone one receives when ordering a cream tea. Despite its modern link with Devon and Cornwall, the scone most certainly originated in Scotland. These scones were baked not in ovens but on girdles/griddles or bakstones/bakestones, and there are two main types: those made from a runny batter and baked on a lightly greased griddle, often called drop scones today, or ‘Scotch’ pancakes outside of Scotland.[3] The second type is more cakelike; a dough that may be shaped into one large round and baked whole as a bannock, or cut into triangles as scones. The scones may also have been made by rolling out the dough and cutting out rounds. However they were shaped, these scones were cooked on a lightly-floured girdle.[4]

For more about the history of bakestones and griddlecakes see my book Knead to Know: A History of Baking, published by Icon Books.

Wheaten bread may have been used in both types of scone, but more often they were made from oats or barley and sometimes peasemeal in the very north of Scotland.[5] For delicious potato scones, some of the wheat flour is replaced with leftover mashed potatoes. Scones are typically chemically raised with bicarbonate of soda activated usually with soured buttermilk, but seeing as the word scone goes as far back as the early 16th century, this cannot have always been so; chemical raising agents were not widely available until the latter half of the 18th century. I do see recipes that use yeast and others with no leavening at all. I strongly suspect that the early scones would have been made with sourdoughs.

This is a sowans scone – made with the sour liquid poured off from fermenting sowans instead of the usual cultured buttermilk

Recipes begin to travel south and cross the border. Jane Grigson mentions a Northumbrian scone that is made with wholewheat flour and is leavened by yeast.[6] F. Marion McNeill, writing in the 1920s observes that ‘scones [are] popular in England now, but there are no recipes in Beeton’s book’, meaning – of course – the fantastically comprehensive Beeton’s Book of Household Management of 1861.[7] There are several recipes for scones in Cassell’s Dictionary of Cookery (1883) and Robert Wells’ Pastry & Confectioners’ Guide (1892).[8] Interestingly, none of them are baked in ovens despite many homes having ovens by this point in history.

However, in Good Things in England (1932), that wonderful collection of traditional English recipes by Florence White, there are recipes for scones baked both in ovens and on griddles. A variety of flours are being used too, including oatmeal and ‘Maize or Indian Meal’.[9] Baked scones – in England, at least – quickly take over and usurp not only the griddlecake variety of scones, but also the Devonshire/Cornish split in the cream tea.[10] But in the 21st century, these baked scones move even further away from their origins – egg is added for richness, milk is used over the now tricky to find buttermilk (in combination with baking powder).

For many folk, scones will be forever associated with the south-western peninsula of England, but it is important to remember, as Catherine Brown and Laura Mason put it in The Taste of Britain (1999): ‘Few English people would appreciate that [scones are] as Scottish as oatmeal porridge.’[11] I hope you appreciate it now!


If you like the blogs and podcast I produce and would to start a £3 monthly subscription, or would like to treat me to virtual coffee or pint: follow this link for more information. Thank you.


Notes:

[1] This is discussed at length in my book The Philosophy of Puddings (2024).

[2] These are discussed in my book Knead to Know: A History of Baking (2024).

[3] These griddlecakes are also the forerunner to the sublime fluffy American pancake

[4] Buttery, N. (2024). Knead to Know: A History of Baking. Icon Books; McNeill, F. M. (1968). The Scots Kitchen: Its Lore & Recipes (2nd ed.). Blackie & Son Limited.

[5] Buttery, N. (2018, April 17). Pease Pancakes. British Food: A History.

[6] Grigson, J. (1992). English Food (Third Edit). Penguin. I have – of course – cooked this recipe as part of my Neil Cooks Grigson project all the way back in 2008. I didn’t do a very good job of it and it requires a revisit. Read the original post here.

[7] McNeill (1968)

[8] Cassell. (1883). Cassell’s dictionary of cookery. Cassell, Petter, Galpin & Co.; Wells, R. (1892). The Pastry Cook & Confectioners’ Guide. Crosby Lockwood and Son.

[9] White, F. (1932). Good Things in England. Persephone.

[10] Buttery, N. (2019, October 19). Cornish Splits (& More on Cream Teas). British Food: A History.

[11] Mason, L., & Brown, C. (1999). The Taste of Britain. Harper Press.

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