My guest on The British Food History Podcast today is food historian and friend of the show Sam Bilton, podcaster and author of Much Ado About Cooking Delicious Shakespearean Feasts for Every Occasion, published by Headline and commissioned by Shakespeare’s Globe.
It was, of course, a great opportunity to talk about the food of Shakespearean England as well as the food and drink references in Shakespeare’s plays, and what they meant to those watching the plays at the time they were first performed.
A small selection of the wonderful photography from Sam’s book
We talked about lots of cookery manuscripts, the importance of keeping historical recipes relevant, capons, Early Modern bread and greedy Falstaff’s sack, amongst many other things.
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Those listening to the secret podcast can hear about horrible, sweet spinach tarts, Early Modern cakes, possets and more!
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My guest on the podcast today is Alex Bamji, Associate Professor of Early Modern History at the University of Leeds, and we are talking about a rare treatise on cheese dating from the Early Modern Period.
We met up at the Brotherton Library which is home to a fantastic collection of cookery books and manuscripts. We talk about cheese, health and humoral theory; what makes a good cheese; the early modern cheese landscape; cheese as a cure for gout; and cheese haters – plus many other things.
The front cover and title page of the cheese ‘pamflyt’ (University of Leeds Cultural Collections)
Those listening to the secret podcast: Alex and I talk about why cow’s milk is the best milk, and I wonder whether there any clues as to where their microbes are coming from.
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Early Modern cheeses recreated at Kentwell Tudor Dairy, Suffolk (Tracey Doyle)
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If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Don’t forget, there will be postbag episodes in the future, so if you have any questions or queries about today’s episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or on twitter and BlueSky @neilbuttery, or Instagram and Threads dr_neil_buttery. My DMs are open.
For years now, I have wanted to make my own fresh blood black puddings, but fresh blood is so tricky to get hold of in Britain, I thought I would never get the opportunity. Lucky for me then, that Fruit Pig, who are sponsoring the ninth season of The British Food History Podcast, kindly sent me a litre of pig’s blood. When it came to recipes, I very much had my eye on Early Modern black puddings because they seem so outlandish compared to traditional black puddings of today. On one hand, they are very British, containing oatmeal and/or breadcrumbs and plenty of chopped beef suet. On the other, they are reminiscent of a French boudin noir in that there are lashings of cream and egg yolks.
If you haven’t listened to the episode about black and white puddings with Matthew and Grant of Fruit Pig listen here.
Read about the history of puddings in The Philosophy of Puddings
There are lots of unexpected herbs and spices, too. Thomas Dawson uses sheep’s blood, milk-soaked oats, suet and what we might think of as the constituents of a mixed spice today: nutmeg, mace, black pepper, ginger and cinnamon.[1] Sir Kenelm Digby liked to use chicken blood, cream, almond cream, bone marrow, sugar, salt, rosewater and eggs.[2] Robert May gives us some precise pointers as well as several ways of making black puddings. In one recipe he combines blood and cream in a ratio of 2:1. Sometimes he soaks oats in milk, sometimes blood: ‘Steep great oatmeal in eight pints of warm goose blood, sheeps blood, calves, or lambs, or fawns blood’. He uses a whole range of interesting herbs, including thyme, spinach, parsley, sorrel and strawberry leaves, to name but a few. He also adds ‘Sometimes for variety, Sugar, Currans, &c.’[3] I really want to know what sweet black pudding tastes like!
Robert May liked to add currants and sugar to his black puddings ‘for variety’.
Using these descriptions as inspiration, I created the recipe below. There was a certain amount of trial-and-error, and whenever I got stuck, I made sure to gain advice from Regula Ysewijn’s Pride and Pudding, Hugh Fearnley-Whittingstall’s The River Cottage Cookbook and Fergus Henderson’s The Complete Nose to Tail.[4]
I learned a great deal making them – the most important lesson being just how skilled one must be to make these sorts of puddings frequently and in large amounts. It made me appreciate even more the hard work of our forebears and Fruit Pig!
I was really surprised with how well the puddings turned out, and I would certainly recommend giving them a go. I made one batch with sugar and currants and one without. You might be surprised to hear that the sweet one was really quite delicious. I fried my savoury puddings and served them with fried eggs atop some sourdough toast. They tasted rich and were a cross between a black pudding and haggis. I’ll let you know how I served the sweet black puddings.
There are just a couple of things I would have done differently: my main issue was that the butcher gave me pigs’ casings which were not suitable for these black puddings – the nubbly pieces of oat tore through them easily, and the skin burst under their own weight at times. I would therefore recommend beef casings or simply baking them in the oven in loaf tins, or maybe even frying up blood pancakes as suggested by Regula Ysewijn![5]
A big thank you to Matthew and Grant of Fruit Pig for supplying me with fresh blood
If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.
Recipe
Makes approximately 12 x 20 cm black puddings if made in pork casings, and 6 x 20 cm puddings if made in beef casings.
Natural pork or beef skins, soaked in water overnight (optional, see recipe)
The day before you want to make your puddings, place the oats in a bowl or large jug and pour in enough milk to just cover them. Place in the fridge overnight. Grind the spices and mix in the dried herbs and salt.
Next day, place all of the ingredients (aside from the casings, if using) in a large mixing bowl. Combine and allow everything to mingle, dissolve and absorb; around an hour – or more if you have the time.[6]
Once everything has had the chance to macerate and absorb, it is time to assemble the puddings. I used my sausage stuffer funnel from the Kitchen Aid and attached a length of pork casing onto it, then secured it with some string and knotted the end. Then I set about filling the casings, a spoon at a time, letting the skins naturally fill and fall into a bowl. Then I tied a link off with some string, making sure the casing wasn’t full and there were no obvious air bubbles. The lengths of the puddings were around 20 cm – though I wasn’t very consistent. In retrospect, I would recommend using beef casings tied to a wide-mouthed jam funnel, much easier to fill and no constant tearing.
Once all of the mixture is used up, get a large pot of water to a good simmer and gingerly plop them in a few at a time. Three was a good number. Keep the water at a gentle simmer and arm yourself with a pin and pop any bubbles that appear in the cooking puds, lest they burst. They will take around 20 minutes to cook, and you must watch them like a hawk, pin poised and ready to pop. You can tell they are done when the liquid that comes out of a freshly-pricked pudding is clear. If using beef casings, they will take 30 to 35 minutes to cook.
Carefully remove the puddings and either hang them up or lay them on a cooling rack to dry for a few hours before placing them in the refrigerator.
You can avoid all of this faff by baking the mixture in large loaf tins sat in a bain-marie for around 1½ hours at 160°C.[7]
The finished black puddings!
Notes
[1] Dawson, T. (1596). The Good Housewife’s Jewel (1996 Edition). Southover Press.
[2] Digby, K. (1669). The Closet of Sir Kenelm Digby Opened (1997 reprint) (J. Stevenson & P. Davidson, Eds.). Prospect Books.
[3] May, R. (2012). The Accomplisht Cook (1660/85) (A. Davidson, M. Bell, & T. Jaine, Eds.; 1685th ed.). Prospect Books.
[4] Fearnley-Whittingstall, H. (2001). The River Cottage Cookbook. Collins; Henderson, F. (2012). The Complete Nose to Tail: A Kind of British Cooking. Bloomsbury; Ysewijn, R. (2015). Pride and Pudding: The History of British Puddings Savoury and Sweet. Murdoch Books.
[6] Note: Looking back on these initial stages, it would have been much better to soak the oats in the blood overnight, mix everything together in the morning, let everything meld and mingle for a couple of hours, and then add enough milk to make a mixture of a spoonable porridge consistency. We live and learn.
[7] Note: I haven’t tested this method; these instructions have been extrapolated from the Fergus Henderson recipe for blood cake in Henderson (2012).
It’s medlar (aka openarse) season at the moment, and I thought I would try the recipe I mentioned in the medlar post from last year.
There’s quite little to go on with medlar preparation in books and the internet as people don’t really eat or cook with them these days, beyond medlar jelly, so every year, I learn a little more about eating and cooking them.
This year I have been more patient and waited for them to get fully-bletted. Medlars are a strange fruit in that they cannot be eaten until they have gone very dark, ripe and soft, a process called bletting. Any other fruit would be thrown away in this state, but medlars are unique because they go from sour and astringent to a tart, soft date-like fruit. They can be sliced in two and the soft flesh can be squeezed or spooned out. Within there are 5 large seeds, so you have watch out for them.
This medlar tart recipe comes from the 1597 book The Good Housewife’s Jewel by Thomas Dawson. It is a very simple paste made from medlar pulp, cinnamon, ginger and sugar baked in a pastry case. Here’s the recipe as it appears in the book:
Take medlars that be rotten and stamp them. Then set them on a chafing dish with coals, and beat in two yolks of eggs, boiling till it be somewhat thick. Then season them with sugar, cinnamon and ginger and lay it in the paste.
Back in Tudor times (Elizabeth I was on the throne when the book was published), sugar was not always as refined as today, so to replicate this I used soft light brown sugar. I decided to use rough-puff pastry as my ‘paste’, as it was often used for the more delicate desserts and posh pies. I changed the method slightly and instead of thickening the medlar mixture in a pan, as you would for pouringcustard, I put the uncooked mixture into the case and baked it in the oven.
I did have a look for other recipes and found that things like butter, nutmeg, candied fruit or citron, sweet cider and musk powder (that final one might be a little tricky to source) were all added merrily.
This tart is very good indeed, evocative of the American pumpkin pie. I would certainly give it a go should you happen upon a medlar tree.
For the tart:
Blind-baked shallow 8-inch pastry case
750 g well-bletted medlars
75 g caster or soft light brown sugar
3 egg yolks
1 tsp each ground cinnamon and ginger
Cut the medlars and twist in half widthways, as you might do with an avocado (except there are 5 pips rather than one large one). Scoop or squeeze the soft flesh into a bowl, removing pips as you go. I tried to pass the squeezed flesh through a sieve, which was a little tricky and boring but realised quite quickly that I wasn’t patient enough and decided instead that the flesh was smooth enough straight from the fruit.
Beat in the remaining ingredients and spread the mixture over the pastry case and bake for 20 minutes at 175°C.
Eat warm with thick cream.
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The second dish in my Dinner Party Through Time menu, and we have moved along a couple of hundred years to Tudor Britain.
This is a recipe that is inspired by the Tudor love of combining fish with candied sweetmeats. Large medieval banquets had to contain dishes with lots of spice; after all how else could you display your vast wealth other than to use that exciting spice, sugar? When first brought to Europe from India, sugar was considered a spice and therefore medicinal. It lost its rank as a spice once it gained popularity as a more general addition to the dinner table; albeit a giant banqueting table.
The addition of the salmon, then, you might feel was also a mark of an ostentatious lord. It is not the case, back in the day, before such things as pollution and overfishing, streams were teeming with fish like salmon. In fact they were so common on the River Mersey that people used to feed them to their pigs! The same, of course, goes for oysters too, and yet we can now buy a pound of sugar for 30 pence. How times have changed.
This dish is very attractive: a lovely fish wrapped neatly in pastry with some sweet spice, fruit and nuts, plus a nice piquant herb sauce. It’s pretty easy to make to boot, as long as you have good shortcrust pastry. This was so good, that it became the main course at my last pop-up restaurant.
Yours Truly, with the fish
This recipe is actually from Jane Grigson, who did the tricky bit for us and worked out a recipe. It comes from her book English Food and I suggest you buy a copy (see the other blog about that!). The only real difference I’ve made is to multiply up the amounts; I used a whole salmon, rather than just a piece as in the book.
You will need:
1 salmon, filleted, skin on or off
250g butter, softened
8 knobs of preserved ginger, chopped
1-2 tbs of the ginger syrup
2 heaped tbs raisins or currants
2 heaped tbs slivered almonds
salt and pepper
shortcrust pastry (see method)
beaten egg
For the herb sauce:
4 shallots, very finely chopped
2 tsp parsley, finely chopped
2 tsp of chervil or tarragon, or a mixture, finely chopped
125g butter
2 tsp plain flour
600ml double cream
2 tsp English mustard
salt and pepper
4 egg yolks
juice ½ lemon
Beat the softened butter with the preserved ginger, raisins and almonds. Sweeten with the syrup as you see fit. Use half of the mixture to sandwich the two pieces of salmon together and then spread the remaining half over the top piece. Season with salt and pepper.
Now you are ready to encase the beast in pastry. I used a batch made of 800g flour and 400g of fat (200g each lard and butter), 2 eggs and a little water, but you might need more or less, depending upon the size of your salmon. Roll out a third of the pastry into a shape larger than the fish and place it on top. Trim around it, leaving a two centimetre gap.
Next, roll out the rest and carefully place it over the fish, trimming the pastry away so there is a one centimetre gap between it and the lower layer. Brush with beaten egg all around the edges, and fold and crimp the pastry all the way around; rather like a huge pasty. Use the trimmings for decoration. There were a few small cracks in my pastry, but I hid them most cleverly with some pastry leaves that I placed here and there. I must say, I was quite impressed with my effort.
Make two or three slashes on the top so that steam can escape and bake for around 45 minutes at 220⁰C (425⁰F). To tell that it is done use a temperature probe; if the centre is around 50⁰C it’s ready to come out. As the fish rests, it will increase in temperature.
As it rests, you can get on with the sauce. Gently fry the shallots and herbs in butter. When the shallots have softened, stir in the flour, then the cream (reserving a little for later). Simmer for around 10 minutes, then season with salt, pepper and mustard. Whisk the egg yolks with the reserved cream, turn down the heat in the pan and pour in. The sauce will thicken as the yolks start to cook – do not let the sauce boil, or your yolks will scramble. If it seems on the thick side, add a little water. Finally, lift the whole thing by adding a good squeeze of lemon juice.
The rested salmon can now by sliced up. The best way I find to do this sort of operation is to use a serrated knife. Slice the untidy end off, but keep it pressed up against the rest of the fish as you make more slices. Don’t take away any slices until you are finished cutting, otherwise everything will crumble and collapse.
The best thing to eat with this, I would say, is a green bitter vegetable such as broccoli or kale.
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British Food: A History 